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INTRODUCTION TO LITERATURE
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Course Description
Texts

Mon & Wed 4-5:15, B 201


Professor: Dr. Mark Silverberg
Office: CC 244
Office Phone : 563-1150
Office hours: Tues & Thurs 2-4
E-mail: mark_silverberg@cbu.ca


"To have great poets there must be great audiences too"   (Walt Whitman)

 


Procedures/assignments/
workload
Evaluation
Grammar
Essays
Plagiarism
First Semester Calendar
Second Semester Calendar
Handouts-resources
Message Board
Literary Links
Text Book Website
 


Course Description

While all sections of this course are entitled “Introduction to Literature” this particular class would be better entitled “Introduction to Textuality.” While we will consider a wide range of traditional “literary” texts (novels, plays, poems, short stories), we will also expand the canon by considering anecdotes, advertisements, essays, photographs, paintings, and hypertexts. The fundamental goal of this course is to help you better understand, manipulate, and master the verbal/textual environment in which we all live. Literature is one of the most powerful tools for achieving this goal because writers over time have developed some of the most sophisticated and creative ways of shaping our verbal environment (and thus shaping our world).

Course Goals

Students will:

 

•  Learn to read and write more analytically

•  Learn the specific skills of close reading

•  Improve their grammar (to the point where they write nearly error-free papers)

•  Learn to write an effective essay on a literary topic

•  Learn to do independent research (including using electronic databases and resources) and complete a research essay

•  Learn more about the 4 genres under consideration: short fiction, poetry, novels, and plays—including appropriate terminology and methodologies for study

•  Learn about individual authors and literary history



Texts

Robert Scholes, Text Book: Writing through Literature, 3rd ed. (Bedford/ St. Martin’s)
Diana Hacker, A Canadian Writer’s Reference, 4th Edition (Bedford/ St. Martin’s)
Diana Hacker, A Canadian Writer’s Reference Exercise Book, 4th Edition (Bedford/ St. Martin’s)
(Note: These three books are available in a package at a discounted price)

Further texts will be announced for second term


Procedure, Assignments and Workload

I want this class to be a meaningful learning process for both you and me. Your participation is valued and is essential for the kind of classroom I intend this to be. In order to be fully involved you should be:
• attending class regularly and participating in discussions and homework assignments
• actively reading and thinking about texts for the day they’re due to be discussed
• taking notes on your own reading, on my lecturing, and on class discussion in general.
My job is not primarily to impart information, not to give you answers about texts, but to help you improve your skills in thinking, reading, and writing critically and creatively. The more you take an active role in this process the more you stand to gain from this class. This is particularly true in two key areas—improving grammar and improving writing. These areas will be addressed somewhat in class time, but much of this work—reading and exercises—will be completed on your own time. Of course, I am always available for individual help and consultation. Feel free to drop by during my office hours or make an appointment for another time if these ones don’t suit you.

Homework

There are regular homework assignments for most days listed on the course calendar. You are expected to have completed the reading and the question(s) for class each day. On days where we will discuss a number of questions, I ask students to read and answer each question briefly, but to concentrate on one question (assigned based on your last name). You are responsible for all the material and you may be called on in class to answer the question you concentrated on.

There will be occasional surprise quizzes as homework and reading checks. During first term you will be asked to hand in 1 or 2 of the following homework assignments. If you hand in two, you get the better of the two grades.

1) Due Oct. 7: Find a commercial which follows Aristotelian principles, as discussed in TB p. 51-57, “Aristotle and the Advertisers” . Either summarize and analyze the advertisement or, if possible, bring in a video of the ad with your analysis.
2) Due Oct. 12 or 14 (by e-mail): find and send me an example of a “defamiliarized” image (visual or written) with a comment about it. (See reading for Oct. 14)
3) Due Oct. 14: write an analysis of one of the scenes from Trifles, “The Kiss,” or “The Use of Force” as a character contests, using Goffman’s terms of reference (TB p. 42-51)
4) Due Oct. 19: Write up your definition of metaphor (see # 4 p. 72)
5) Due: Oct. 21: Create a riddle poem, like Plath’s “Metaphors” p. 74 #2.
6) Due Nov. 9: Do a series of Queneau’s transformations p. 161 #2
7) Due Nov. 23: Choose a classic celebrity and do some research (and write a short report) on ideological interpretations.

Evaluation

Grades will be based on written assignments including essays, tests, and homework assignments; grammar quizzes; unannounced quizzes (homework checks); and a December and final exam. There will be no make-ups for quizzes and short homework assignments. I will drop one missing or low assignment per term from your class work grade. After that, missing assignments or quizzes count as zero.

Term One Grades

15% Assignment #1: Personal Narrative (due Sept. 30)
10% Creative Writing assignment (due Oct. 26)
15% Critical Writing assignment (due Nov. 30)
20% Class work (including quizzes and homework)
40% Exam

Late Policy: You will have at least two weeks to complete essays. Essays are due in class on the assigned date. If you are unable to be in class that day, make an arrangement with me at least 24 hours in advance. Late assignments will receive a penalty of –5% for the first day late, and then –10% for up to one week late. After one week late I will not accept assignments.

*Click here for grading scale.


Grammar

Grammatical correctness is essential to effective writing.   It is assumed that by the time your reach university level you can compose grammatically correct sentences with very few errors.   Essays that do not meet these standards may not receive a passing grade.   Please review the handout   “Policy For the Use of Standard English” for this class.   Over the course we will review a number of basic writing errors and you will be asked to complete the corresponding assignments from The Canadian Writer's Reference Exercises .   We will take up assignments in class, and we will have a number of grammar quizzes that will count towards your class work grade.   For those who want to spend more time developing their grammar skills there is an excellent website which accompanies our reference guide.  Here you will find additional exercises and self-grading quizzes to help improve your skills.   Additional web-based exercises for each section are indicated on the grammar “Readings and Exercises” handout.

*Click here for Writing Errors: Required Grammar Exercises


Essays

Below are some general guidelines for the presentation of essays.

· All essays must be typed or word-processed, double spaced, with a one-inch margin on both sides and at the top and bottom of the page.   All pages should be numbered.   Staple pages together.   Put your student number instead of your name , along with your essay title, date, etc. on a title page or at the top of the first page.   Use as standard size font—Times Roman 12 point is a good choice (you do not want a font much bigger or much smaller).   Please avoid fancy graphics or distracting fonts.

· Essays must meet university-level standards for basic grammar, mechanics, sentence structure, and formatting. For completed essays, this class will use the Standard English Policy (see handout).


Plagiarism

Plagiarism means taking another person's words or ideas as your own without properly acknowledging their source. This can include anything from buying an essay, downloading one off the internet, copying sentences or phrases from an unacknowledged source (cutting and pasting lines from internet sites), or using someone else's ideas (whether in direct quotation or paraphrase) without giving them credit.   Plagiarism is a serious academic offense with serious consequences.   Cases of plagiarism will be reported to the relevant dean's office and students will face the following penalties: First offence: zero on the assignment and offence noted on the student's academic file; second offence: zero in the course, and possible discontinuation from CBU; third offence: discontinuation from CBU .   Avoid unintentional plagiarism by making sure you keep careful record of any ideas or text you've borrowed from other sources. When working with text on the internet, always cut and paste the URL at the top of your page so you'll be able to easily refer back and cite your source.



ENGLISH 200 FIRST SEMESTER CALENDAR

This calendar is designed to give you an idea of what we will be studying and what you need to read and do. Assignments for the given day must be completed BEFORE class that day. It is possible that there will be minor changes as we go along. You need to keep up to date by attending class and paying attention to assignments and readings.

Sept.14 Introduction

Sept.16

Text Book [hereafter TB] pp. xv-12. “Natural Narrative.” Work on question #3, p. 12. GRAMMAR ERROR (GE) #1

Weekend

Begin working on your own personal anecdote, which must include (and label) each part (see #5, p. 12).

Sept.21

TB p. 12-18, “Literary Anecdotes”. Answer questions 1 & 2 for one anecdote, based on your last name: A-L: #2:, M: #3:, N-P: #4:, Q-Z: #5. Also decide which anecdote you find the least effective and explain why. GE #2

Sept.23

TB p. 18-24: Short stories: “The Kiss” and “The Use of Force”. Questions: p. 21 #1 (last names N-Z), p. 24 #1 (last names A-M) GE #3

Weekend

work on personal anecdote


Sept. 28

CBU Library Session

Sept. 30

TB 29-40, Trifles Assignment #1 due. Grammar Quiz #1


Oct. 5

TB p. 42-51, “Character Contests” and The Stronger: p. 50 #1 &2
GE #4

Oct.7

TB 51-57, “Aristotle and the Advertisers” Q. 1 (pg. 56); can you think of any current commercials that use reversals and recognitions? This is optional hand-in assignment #1 GE #5.

Weekend

write an analysis of one of the scenes from Trifles, “The Kiss,” or “The Use of Force” as a character contests, using Goffman’s terms of reference. (Optional hand-in assignment #2—due Oct. 14)

Oct. 12

THANKSGIVING, NO CLASS. Optional hand-in assignment # 2 (send me your examples of a “defamiliarized” image with comment (see reading for Oct. 14)

Oct. 14

TB 57-61 GE #6. Optional hand-in assignment # 3

Weekend

notice and bring in metaphorical uses of language; answer Q. 4 p. 72 – write up your definition of metaphor

Oct.19

TB 62-72 – Metaphors. HW: (Optional hand-in assignment # 4)
last names A-L p. 67-8 #1 define “identity category”
last names M: p. 68, #2 define “category of forms”
last names N-P: p. 72. # 2
last names Q-Z: p. 72, #3  

Oct. 21

TB 72-74, Q. 1 & 2 p. 73, Q 1 p. 74; also fill in blanks on “Let us honor”
Grammar Quiz #2. Optional hand-in assignment # 5

Weekend

Cut up poem (p. 85 #2) – work with a partner, small group, or alone to create a cut up poem. Be prepared to share in class. If you can scan it, send me a copy. 

Oct. 26

TB 74-87, Metaphor and Dream. HW: Regarding Breton’s cut up: which lines did you like? Which “worked” for you? Why did they work? How does Breton play with making sense? GE #7

Oct. 28 TB p. 87-94 GE #8
Nov. 2   TB 150-57, “Intertextuality” HW: p. 157 #1 & 2, GE #9
Nov. 4 TB 161-176, HW: #1 (last names A-L), #2 (last names M), #3 (last names N-Z) Grammar Quiz #3
Weekend

TB 157-61, “Transformations,” p. 161 #1 & #4.
Optional hand-in assignment # 6

Nov. 9 Coover’s Briar Rose hypertext (p. 175 Q. 3) GE #10
Nov. 11

Remembrance Day, No Class

 


Nov. 16 TB 176-183; Hemingway’s “Up in Michigan,” p. 182-3 #1-4 (concentrate on one: A-L: #1:, M: #2:, N-P: #3:, Q-Z: #4). GE #11
Nov. 18 TB 183-90, “The Red Convertible”, #1-4 (concentrate on one: A-L: #1:, M: #2:, N-P: #3:, Q-Z: #4) GE #12
Nov. 23 Identifying with texts, TB 190-205 Grammar Quiz #4. Optional hand-in assignment # 7
Nov. 25 Interpretation, TB 207-222, Bettelheim on Sleeping Beauty #1-4 (concentrate on one: A-L: #1:, M: #2:, N-P: #3:, Q-Z: #4)
Weekend Watch the Disney's Sleeping Beauty or read another version; read Anne Sexton’s “Briar Rose”
Nov. 30 TB 222-29, Prose on Sleeping Beauty, Q. 1, 2 (concentrate on both)
Dec. 2 TB 229-38, interpreting Hemingway and Francis, p. 235 # 1 (last names A-L), p. 235 #2 (last names M); p. 238 #2 (last names N-Z)

 

English 200 Second semester calendar

This calendar is designed to give you an idea of what we will be studying and what you need to read and do. Assignments for the given day must be completed BEFORE class that day. It is possible that there will be minor changes as we go along. You need to keep up to date by attending class and paying attention to assignments and readings.

Jan.3 TBA

Jan.8

 

Jan.10

 

Jan.15

 

Jan.17

 

Jan.22

 

Jan.24

 

Jan.29

Jan.31

 

Feb. 5

 

Feb. 7

 

Feb.12

 

Feb.14

 

Feb.19-23

Reading Week

Feb.26

 

Feb.28

Mr. 5

 

Mr. 7

 

Mr. 12

 

Mr. 14

 

Mr. 19

 

Mr. 21

 

Mr. 26

Mr.28

 

Apr.2

 

April

Exam Period

 

Handouts and Resources

Policy for the use of Standard English Convention

Grammar Exercise List

Five Types Of Weak Thesis Statements

The Writing Process

Recommended Foreign Films available in CBU library

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